Barbara
Buchenau (UDE) and Julia Leyda (Sophia University, Tokyo, Japan): Seminar Modul
VI, Y, XVI, AmSt2, Room R12 R04 B21, maximum of 20 participants
Urban Catastrophe in 21st-Century US Screen Culture
Sessions:
April 9
to April 30, 2014, 6 pm to 8 pm, R12 R04 B21
June 10, 2014, 11:30 am
to 7:30 pm, Casino, Gästehaus der Universität
July 2 to
July 16, 2014, 6 pm to 8 pm, R12 R04 B21
Early
twenty-first-century U.S. American life has been distinctively marked by a new
awareness of urbanity as well as catastrophes (including 9/11, Hurricane
Katrina, and the so-called “Great Recession”) as central conditions of everyday
existence. Conjunctions of urban life styles and catastrophic events have
figured prominently in a US popular screen culture that has sought to come to
grips with the ways in which each has been collectively framing as well as
shattering, containing, and yet disrupting many people’s faith in just,
meritocratic, predictable, and/or rational systems; each has also had a
pronounced impact on how we imagine and experience life in U.S. American
cities. This seminar will examine the ways in which U.S. American film and
television since 2000 have represented urbanity in the aftermath of
catastrophe, attending to affect—dread, anxiety, emptiness, mistrust,
anti-authoritarianism, vigilantism—as well as plot, setting, and mise-en-scene.
This
course is demanding both in terms of workload and intensity of debate, since it
is grounded in the research in progress of the two instructors. Prospective
participants are requested to register personally and in advance with Barbara
Buchenau. We will discuss critical essays by scholars in film and television
studies, as well as film and television texts that may include:
8 Mile (Curtis Hanson 2002)
The Departed (Martin Scorsese 2006)
The Dark Knight (Christopher Nolan 2007)
I Am Legend ( Francis Lawrence 2007)
The Wrestler (Darren Aronofsky 2008)
Drag Me to Hell (Sam Raimi 2009)
Somewhere (Sofia Coppola 2010)
Margin Call (J.C. Chandor 2011)
Drive (Nicolas Winding Refn 2011)
Silver Linings Playbook (David
O. Russell 2012)
Killing Them Softly
(Andrew Dominik 2012)
Cosmopolis (David Cronenberg 2012)
Sharknado! (Anthony Ferrante 2013)
|
24 (Fox
2001-2010)
The Wire (HBO 2002-2008)
Lost (ABC 2004-2010)
Hung (HBO 2009-2011)
Castle (ABC 2009-)
Rubicon (AMC 2010)
Treme (HBO 2010-2013)
The Walking Dead (AMC 2010-)
Homeland (Showtime 2011-)
2 Broke
Girls (CBS 2011-)
Girls (HBO 2012-)
|
Ulrich
Beck, World at Risk (2007).
Cambridge: Polity Press, 2007.
Susanna
Hoffman and Anthony Oliver-Smith, ed., Catastrophe
and Culture: The Anthropology of Disaster. Santa Fe: School of American
Research Press, 2002.
Wheeler
Winston Dixon, Visions of the
Apocalypse: Spectacles of Destruction in American Cinema. Wallflower,
2003; ed. Film and Television after
9/11. Southern Illinois UP, 2004.
Richard
Grusin, Premediation: Affect and
Mediality after 9/11. New York: Palgrave-Macmillan, 2010.
David
Harvey, Rebel Cities: From the Right to
the City to the Urban Revolution. London: Verso, 2012.
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Naomi
Klein, The Shock Doctrine: The Rise of
Disaster Capitalism. New York: Henry Holt, 2007.
Diane
Negra, ed. Old and New Media After
Katrina. New York: Palgrave-Macmillan, 2010.
Rob
Nixon, Slow Violence and the
Environmentalism of the Poor. Harvard: Harvard UP, 2011.
Kevin
Rozario, The Culture of Calamity:
Disaster and the Making of Modern America. Chicago: U of
Chicago P, 2007.
Stephen
Rust, Salma Monani, and Sean Cubitt, ed., Ecocinema
Theory and Practice. New York: Taylor and Francis, 2012.
Evan
Calder Williams, Combined and Uneven
Apocalypse: Luciferian Marxism. Hants: Zero Books, 2010.
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